What is the difference between sony hx20v and hx30v

However, there are a couple of good reasons -- aside from the lens -- that you should consider spending more for the HX30V. For one, the camera does have faster autofocusing with less shutter lag in both good lighting and low-light conditions. Also, though the bulk of the shooting options are the same between the two cameras, the HX30V has nine live-view picture effects, like toy camera and partial color, which lets you pick a highlight color and turns the rest of the photo black and white examples of which you can see in this slideshow.

The camera also has a new interface available in Intelligent Auto and Superior Auto where you can adjust brightness, color, and vividness using simple sliders as well as access some of the picture effects. GPS is also improved with logging letting you track your photo shoot and later view the path and pictures on a map. The photo and video quality for the most part are the same between the models.

So, if you really just want a powerful compact megazoom, save yourself some money; the HX9V is still an excellent camera a year after its release. The only fly in the ointment is that once the burst is completed, it takes over fifteen seconds for the camera to clear the buffer, during which you cannot take another picture. In the other two continuous shooting modes, the Sony HX20V also takes up to 10 pictures, but at slower speeds of 5 or 2 frames per second.

The bottom of the Sony HX20V features a standard metal screw thread for attaching it to a tripod which is conveniently located in the centre. There's also a hardly worth it 11MB internal memory to fall back on which can store 7 full-resolution still images.

The right side of the HX20V has a small metal eyelet for the supplied wrist strap and also the HDMI port underneath a sturdy plastic cover, while there are no controls on the left side looking from the rear. All of the sample images in this Review were taken using the 18 megapixel JPEG setting, which gives an average image size of around 5Mb. This camera handled noise well, not becoming obvious until ISO , and then becoming progressively worse at the faster settings of ISO and , an excellent performance for such a small image sensor with such a high pixel count.

It's not really worth using the new fastest and speeds though. Chromatic aberrations were in evidence but were well-controlled, with some limited purple fringing effects appearing in high contrast situations.

The 18 megapixel images were a little soft straight out of the camera at the default sharpen setting and require some further sharpening in an application like Adobe Photoshop, or you can increase the in-camera sharpening level. Macro performance is outstanding, allowing you to focus as close as 1cm away from the subject.

Commendably barrel distortion is well controlled even at the 25mm wide-angle focal length of the versatile 20x zoom lens. The built-in flash worked well indoors, with no red-eye and adequate overall exposure. The maximum shutter speed of 30 seconds allows the cameras to capture enough light for most after-dark situations. The Backlight Correction HDR feature dramatically increases the detail in the shadow and highlight areas, although we miss being able to choose just how much correction is applied.

There's a good range of Color Modes and Picture Effects on offer, while the Sweep Panorama mode makes it simple to take wide-vista shots. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are just a little soft and ideally benefit from some further sharpening in a program like Adobe Photoshop. Alternatively you can change the in-camera sharpening level.

The Sony CyberShot DSC-HX20V handled chromatic aberrations well during the review, with some purple fringing present around the edges of objects in high-contrast situations, as shown in the examples below. The first image shows how close you can get to the subject in this case a compact flash card.

These shots of a white coloured wall were taken at a distance of 1. And here are some portrait shots. As you can see, neither the Forced Flash setting or the Red-Eye Correction option caused any amount of red-eye. The shot below was taken using a shutter speed of 25 seconds at ISO Background Defocus attempts to mimic the sharp subject and out-of-focus background effect that DSLR owners typically enjoy, shooting two frames in quick succession and varying the aperture between each one.

DRO is Sony's solution for improving shadow and highlight detail in photos taken in contrasty light, significantly increasing the image's dynamic range.

The examples show the rather dramatic effect of turning this feature on. The Sony Cyber-shot DSC-HX20V allows you to take panoramic images very easily, by 'sweeping' with the camera while keeping the shutter release depressed. The thumbnails below link to the full-sized versions, which have not been altered in any way. Please note that this 19 second movie is The Sony CyberShot DSC-HX20V is a more capable and more refined version of our favourite travel-zoom camera from , the HX9V, with a longer lens, higher resolution and extra features helping to maintain Sony's lead over the competition in this ultra-competitive part of the camera market.

The move to a headline-grabbing 18 megapixel sensor may elicit groans amongst more experienced photographers, but in reality Sony have been able to maintain the excellent image quality that the previous 16 megapixel HX9V offered. The 18 megapixel backlit sensor provides excellent results from ISO , with only the fater settings of and suffering from too much noise and smearing of fine detail.

You should ignore and though unless there's really no alternative. Chromatic aberrations are well controlled and colours accurate, and the 20x mm lens commendably doesn't suffer from too much distortion at either end of the mammoth zoom range. The Manual shooting mode lets you set a shutter speed of up to 30 seconds for effective night-time shooting, although I missed the Aperture and Shutter Priority modes that several rivals offer, and only having two possible apertures in Manual mode does somewhat limit what you can achieve creatively.

Less expereinced beginners shouldn't be scared off the HX20V either, as Sony's excellent hand-holding Intelligent Auto modes are as effective as the competition's, while the new Photo Creativity menu lets you experiment with the camera's core settings without having to know all the photography jargon.

In addition to the excellent still images, the Sony HX20V also offers full p video recording, and you can even take a high-res still whilst shooting your movie masterpiece. You can use the full 20x zoom during recording, sound is stereo rather than mono, and the AVCHD format ensures that file sizes don't get too out of control. The HX20V comes close to being the perfect traveller's camera, with a high resolution, long zoom and built-in geotagging features that put your pictures on the map.

The auto modes are fast and accurate, consistently producing detail-packed, vivid results. Read the full review ». Thanks for the nice comments. I like to try to understand things, and to then explain them. I try to be objective, and if someone is obtaining different results than I am, I attempt to figure out why. I also prefer the new Bionz processor. The 20V had a lens that did not do well across the zoom range. The 50V fixed that. The 60V is actually the one to compare with.

It does outperform 90v in some lighting conditions in terms of shadow noise. I have noticed over the years that sony programs their cameras in full auto modes to use higher ISo, close to wide open F:stops to prevent hand shake I suggest you use A mode and choose ISO or maybe and do your tests and ignore noise for the tests?

Wild Bill Bill's Photos. Yes, nothing like a DSLR for sports but in these days, they are forbidden in most of the venues I go but small cameras are allowed, so I'm looking for a good backup for these cases. Jerry Gerald L. One takes the buying decision for a camera based on the camera specifications and NOT based on the quality of the output. So almost all camera manufacturers are competing in adding features more MP, more zoom range, more smart modes, wifi, etc.

I have both the WX and the HX90v. I think the HX90v is a big improvement in almost every way over the WX, especially because the jpeg processing has much less of the impressionist type of appearance than is seen in the WX Good point, Bill.

They fixed that made it user programmable in the RXmk4, so maybe they're learning. Many folks do. But many try to base such decisions on detailed reviews such as those here at DPR. Where there are reviews they are often superficial and can be misleading. However, DPR often does review such cameras as a class once each year; those reviews are worth a look. Alas, the focus on MP is still there. I returned a ZS50 because the IQ was just not good enough.

The new Sony reviewed by the OP is intriguing, but likely not much better than the ZS50 -- if at all better. So I'll probably avoid the frustration. Not my experience at all. In daylight and decent lighting conditions, my HX90V can create very nice images.

Like many recent cameras, the HX90V is complex and can be set many ways - maybe you had some setting wrong. Post a picture to back up your comment. Shot from High Sierra Trail. That is a beautiful photo, you are clearly getting better results than I got from mine.

Maybe it was my technique, or lack of it. The 90V ticks off a lot of boxes, especially an EVF, good control, etc. I certainly don't knock Sony, I have several Sony cameras including my special little dsc-W5. I shoot both photos and video.

I tried various combinations of in-camera noise reduction and image sharpening in the ZS60, and could not get images anywhere near the quality of the HX90V. I think it is the ZS60 lens, and some online reviews have mentioned that the lens isn't sharp. There may be variations from camera to camera with lenses, and maybe you had a bad lens, but my HX90V lens is great.

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