Canon rebel xs how many megapixels

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Click OK to extend your time for an additional 30 minutes. This item has been successfully added to your list. Support Email Sign Up. This item has been successfully added:. Go to Cart. What can we help you find? Unlike Nikon's D-Lighting, however, it cannot be applied after capture. It's designed to enhance photographs for direct printing, camera to printer, via PictBridge. We didn't notice much of an effect in our tests, though. The Canon XS's highest ISO setting remains low compared with other recent offerings from other companies, ranging from to 1, Image quality across the range is good, except in certain situations, with ISO shots producing good 13xinch prints, and ISO 1, shots looking good at 8x10 inches.

The grip is great, making the camera feel a little less tiny, and the curves make handling the camera comfortable all around. Save for the new ISO button's position, controls are very good, improved when the larger LCD eliminated the left-side buttons.

Checking exposure and focus is a lot easier with the larger LCD, and thanks to Live View, you can quickly check focus before you capture. The new image-stabilized lens included with the Canon XS is excellent, quite an improvement over the last model. Its zoom ring works more smoothly, and the knurled grip is easier to hold. Image stabilization works very well, serving up more high quality shots in very low light.

The lens isn't USM, which means it doesn't have an ultrasonic motor for fast, nearly silent focusing, but the motor isn't disagreeably loud at all, and it's fast enough. Frame rate. When shooting in RAW mode, this frame rate is cut in half, down to 1.

The shutter sound is different from the XTi, but still includes a lot of whirring and stomping, instead of a nice, simple click-click. Some might prefer the winding sound, but to me it draws too much attention. The new lens release button makes it a little easier to change lenses, and while it's hard to get used to a Canon SLR with a small SD card door, it does fit the small body of the Rebel XS. It has thrown me on occasion when my standard complement of CF cards was no help after I'd filled an SD card.

Now I carry both. Shooting in Live View mode is pretty easy once you get used to it; though focusing by pressing the AE-Lock button is a little cumbersome when shooting from odd angles.

I suppose they separated the buttons to avoid the confusion of the mirror going up when you half-press the shutter button. Surely that would make many users think they'd taken a picture, as it did with the early Olympus live-view SLRs. And in "Live" AF mode, it's a lot slower than some digicams, especially in low light with camera movement, so I'm sure that's why they left AF activation on the AE-Lock button.

As well as it works, I recommend against using the Live View mode as a default shooting method. Use it for fine focusing while shooting from a tripod, where you can afford the time to confirm or specify which focus point or area is in use, or when shooting from odd angles, but you get better camera stability when shooting with the camera held to your face than you do holding it out in front of you.

Battery life also drops from to shots when shooting in Live View, so invest in a spare battery if Live View is your thing. There's so much about the XS that's similar to the XTi that there's not much new to say about the camera shooting experience. It works well, is fun to shoot with, and captures pretty good images. Speed, unfortunately is not up to the XTi's standard, and if that's important to you, consider the Rebel XSi.

Canon has made many changes in how they compensate for noise, especially chroma noise, and in specific situations, there are demosaicing errors that create disturbing patterns that are difficult to remove.

Yes, there's noise, but it's hardly noticeable, which is impressive for ISO 1, Remember that these images above are shown at percent, and captured at ISO 1, There's a little more sharpening applied to the XS images, which makes images pop better for consumers. You can see that there is slightly less detail, but there is much less chroma noise, especially in the shadows. The demosaicing errors mentioned above are really the only major aspect we find problematic about the Canon Rebel XS.

And the fact is that many people won't see it at all. Ironically, as you raise the ISO on the Rebel XS, some of these artifacts become less noticeable, especially the diagonal bands. When we printed the images to see when the artifacts would appear, we found that the color errors appeared early on, affecting images at ISO when printed at 8x We knew what we were looking for, however; most would not notice the effect at all.

The diagonal banding didn't appear until 11x14, and didn't really stand out until printed at 13x19 inches. So take it with a few sprinkles of salt, and the XS is still a good, usable camera.

You have to decide whether the above artifacts would bother you if you didn't see them at 8x10, especially when you consider how little you paid for your rather capable SLR.

You can use the Rebel XS to get great images almost all of the time, and you'll get impressive detail at all ISO settings, so we think the tradeoff of artifacts against high ISO performance is worth it for the average consumer photographer on a budget.

The Canon Rebel XS is a good quality digital SLR camera, well-suited to the consumer shooter looking for a little more from a digital camera.

Canon sought to compete with Nikon and Pentax at the extreme low price level, and they had to cut a few corners. The body isn't quite as nice as the Canon Rebel XSi, and the image quality suffers from a few more hitches, but you'll only notice if you zoom to percent onscreen and search around like we do. The Canon Rebel XS's image stabilized lens and impressive high ISO performance should mitigate most of the other problems, and the Rebel XS's fast autofocus should make this year's holiday pictures better than ever.

Canon will likely sell a lot of Rebel XS kits. It's a pretty good SLR at a pretty astonishingly low price, and that's what it was designed to be. Most consumers will be very happy with the Canon Rebel XS, thanks to the high quality, image-stabilized lens, the well-rounded feature-set, and impressive print quality.

But there are a few technical foibles that enthusiasts will do well to take note of. Still, that won't affect most shooters, as it's the rare person who enlarges to 11xinches, let alone 13x19 or 16x The good news is that Canon made minor but important improvements to the grip and controls, and kept most of what is great about the XS's predecessor.

Adding Live View and image stabilization addressed a few elements that other companies, namely Olympus and Pentax, have had in their favor at the low-price end of the market. If anyone knows how to address the image stabilization problem, it's Canon, with years of experience and a proven track record.

There is surprisingly little corner softness and chromatic aberration, and the lens's build is better than past models. It delivers such a good focal length range with so little weight that I recommend most people buy the kit to get this fine little lens for those days they just want a light, high-quality optic along. Shutter lag lengthens in Live View mode thanks to the need to close the shutter before the actual exposure, but that's to be expected.

It's still very fast. Learn to shoot with the optical viewfinder by default, leaving Live View for special situations and tripod use, and you'll be happier with the experience.

Most of the benefit of an SLR can be found in that optical viewfinder, with a truly real-time view of your subject. Enthusiast photographers won't like this, but this isn't an enthusiast camera.

Consumer photographers will be very happy with their images. Stick with JPEG shooting most of the time, and you'll be happy with the 3-frames per second rate. The Canon Rebel XS is a very good camera for the money, especially with a good-quality image-stabilized lens. If you'll never enlarge above 8x10 or want to shoot low-light and indoor images that you'll enlarge to 11x14, the Canon Rebel XS is a very good choice at a very low price, and a Dave's Picks among bargain digital SLRs.

If you want a slightly faster, more capable camera with the same excellent lens and an excellent image sensor, give the Canon Rebel XSi a closer look. XS vs SD1 Merrill.

XS vs T6. XS vs T6i. XS vs K-3 II. XS vs T6s. XS vs D XS vs A XS vs T7i. XS vs SL2. XS vs K XS vs KP. XS vs A77 II. Timings and Shutter Lag Canon has built its reputation in the DSLR space on several performance pillars, with shooting speed being chief among them. The XSi was fast. The XTi was fast. Hence, given the amount of carry-over at work here, there was no reason to assume that the XS would be anything but quick. As always for our consumer DSLR reviews, the numbers stated represent a five-shot average time for each camera using its kit lens.

Shoot at lower sensitivities i. We dashed off 30 such highest quality JPEGs in an on-the-mark Moreover, even a mere seven points is light-years beyond the three-point systems still lurking on many entry-level DSLRs. Even respecting the limits of slow-focusing consumer glass, the system is both quick and predictable, with solid tracking abilities via its AI Servo continuous setting. The XS features a dedicated AF point selection button, and the fact that the selected AF point or all seven, if you select multi-area auto mode lights up in the viewfinder makes it relatively easy to select a focusing area without taking your eye away from the viewfinder.

Live view opens up a whole other range of options where auto focus is concerned. The system disables AF in live view altogether by default, but custom function settings allow the XS to use either traditional focus-sensor AF in which the mirror must be moved out of the way for the camera to focus, thereby interrupting the on-screen preview for around a second in most cases , or use a slower contrast-detection focusing system like those found on compact cameras which allows the camera to auto focus without interrupting the on-screen preview, but often takes three to four seconds to lock.

Flash output can be compensated up or down up to 2 EV, with coverage out to around 17mm. Using the same flash unit and battery pack, the XS was able to recycle a full-power flash discharge in under 3 seconds with a fully charged battery — just like its big brother.

Mode options are the four basic ones: auto, forced on, forced off, and red-eye reduction. There are no preset slow sync or rear curtain flash modes, though the XS automatically employs slow sync in the Night Portrait scene mode. On-board flash performance was, as before, perfectly acceptable, with spot-on exposure across a range of situations.

Red-eye reduction also worked as anticipated, with a pre-flash effectively controlling unusual reflectivity. Image stabilization is selectable via a dedicated switch on the lens, and there are no mode options for IS: rather, the system engages when the shutter release is half-pressed. Although there was a seemingly related firmware fix for some lenses when used in conjunction with the 40D, a similar update for the XSi and XS have been slow in coming, and our up-to-date XS review unit still exhibits an irritating high-pitched whine whenever the IS system is working.

Battery The XS packs the same beefy 7. As before, the kit optic can be a bit of a weak link where pulling out strong contrast is concerned: switch the XS over to a good prime and the strengths of its imager really begin to shine through. Tweakability is the name of the game in terms of overall processing, however, with Canon offering an expansive list of preset Picture Style options for JPEG shooters, as well as its common raw format for even more involved image post-processing.

In addition to the Standard, Landscape, and Portrait modes seen above, the XS features Neutral and Faithful image handling options, as well as a Monochrome setting for in-camera black-and-whites.